13 Painting Techniques & Styles Used Throughout Art History

Painting techniques have evolved dramatically over thousands of years, each emerging from specific cultural needs, available materials, and artistic ambitions. From ancient Egyptian tombs to contemporary digital studios, artists have continuously pushed boundaries of painting—sometimes out of necessity, sometimes out of pure creative rebellion.

Understanding these historical painting techniques isn't just an academic exercise. Many contemporary artists still draw from these traditional methods, creating hybrid approaches that bridge ancient wisdom with modern sensibilities. Whether you're an artist looking to expand your toolkit or simply curious about how masterpieces were created, these thirteen painting styles represent pivotal moments when the art world took dramatic new directions.

The painting styles each tell a story, not just of artistic innovation, but of the societies that fostered them. They reveal how politics, religion, technology, and cultural values directly influenced how artists approached their craft and how you can apply this knowledge to inspire art ideas for your home.

Types of Painting Styles: A Brief History

• Encaustic (5th century BCE–3rd century CE): Ancient method mixing pigments with heated beeswax, creating luminous, durable works that survived millennia.
• Fresco (Ancient Rome, perfected 14th–16th centuries): Painting on wet lime plaster that became integral to architecture, reaching its peak with Renaissance masters like Michelangelo.
• Tempera (6th–15th centuries): Egg-yolk-based paint favored for religious works, producing brilliant colors and precise details that defined painting techniques from the Byzantine and early Renaissance art.
• Oil Painting (15th century): Revolutionary painting medium that enabled unprecedented realism and atmospheric effects, transforming Western art from the Renaissance forward.
• Chiaroscuro (16th–17th centuries): Dramatic light-dark contrasts that gave paintings sculptural depth, perfected by Baroque masters like Caravaggio.
• Sfumato (Early 16th century): Leonardo da Vinci's technique of soft, almost imperceptible transitions that created mysterious, lifelike effects.
• En Plein Air (19th century): Outdoor landscape painting made possible by portable materials, emphasizing direct observation of natural light and atmosphere.
• Impressionism (1860s–1880s): French movement that prioritized subjective experience and fleeting light effects over classical art precision.
• Impasto (Late 19th century): Thick application of paint that emphasized texture and the physical act of creation, notably mastered by Van Gogh.
• Alla Prima (Late 19th century): Wet on wet technique allowing spontaneous, direct painting completion in single sessions.
• Abstract Expressionism (1940s–1950s): Post-war American movement emphasizing gestural freedom and emotional expression through large-scale abstract art.
• Acrylic Painting Techniques (1950s): Synthetic paint that offered versatility and durability, becoming central to Pop Art and contemporary practice.
• Digital/Mixed Media (1980s–present): Technology-integrated approaches that blur traditional boundaries and democratize artistic creation.

1. Encaustic (Ancient Greece/Rome, 5th century BCE–3rd century CE)

Encaustic painting bonds pigments with molten beeswax to create luminous, enduring artworks that have survived for millennia. This ancient technique is relatively straightforward. Artists mix pigment with heated beeswax and then apply it to a surface (generally wood). As the mixture cools, it produces a rich, almost glowing image.

Some of the most well-known examples of ancient encaustic works—specifically, the Fayum mummy portraits discovered in Egypt—have survived for thousands of years, partially due to an arid desert climate. One can still argue, though, that encaustics offer a kind of fusion of durability and individuality not found in other artworks of the ancient world, creating a visual bridge between painting and relief sculpture, art and artifact.

After antiquity, this technique almost vanished completely before it was resurrected in the 20th century by artists like Jasper Johns. Notably, the re-emergence of encaustics coincided with discussions in modern art movements about materiality, surface, and medium-specificity.

2. Fresco (Ancient Rome, perfected in the Renaissance, 14th–16th centuries)

The fresco technique involves painting directly onto wet lime plaster, allowing pigments to become permanently integrated with the wall surface as it dries. This approach is ancient—very ancient, having been used in places like Minoan Crete and ancient Egypt. Yet it was only during the Italian Renaissance (especially between the 14th and 16th centuries) that the technique came to take on the look and significance we associate it with today.

Michelangelo, perhaps most notably, used the buon fresco technique to transform the ceiling of the Sistine Chapel into an immersive visual narrative when he was working on it. To date, his work in this demanding and enduring medium has created or redefined many of the most recognizable classic art pieces in the Western world.

Because frescoes dry quickly and corrections are nearly impossible, expert planning and execution are essential. For pre-modern civic and religious commissions, frescoes' integration with architectural space and the durability of their imagery made them ideal choices. Their scale and expressive power are still widely admired today.

3. Tempera (Byzantine period through Early Renaissance, 6th–15th centuries)

Tempera painting uses egg yolk as a binding agent, producing brilliant colors and precise details. This medium's exacting finish dominated Europe from the Byzantine Age through the early Renaissance. Tempera dries fast and allows for careful layering and nuanced lineations. Its matte look and the fact that it doesn't yellow or crack over time have made it well-suited for representing the sacred and the spiritual, particularly altarpieces and religious icons.

Botticelli and other masters redefined tempera painting, producing works that set many of the standards we now associate with Renaissance art. By the 16th century, oil painting had mainly taken over, but tempera is still used today, especially among contemporary painters. Tempera's distinctive qualities and aura of traditionalism make it a vital link between the formalism of the medieval period and Renaissance-era naturalism.

4. Oil Painting (Northern Europe, 15th century)

Oil painting's slow-drying properties enable artists to achieve unprecedented levels of realism through gradual layering and blending. This revolutionary painting medium started gaining popularity in Europe during the 15th century. Artists like Robert Campin, Jan van Eyck, Petrus Christus, and Hugo van der Goes were early explorers of this approach, fascinated by its ability to achieve a level of detail that earlier methods could only approximate.

Oil paint's slow drying time made detailed atmospheric effects possible, transforming Western art in its wake. Flemish painters like van Eyck were among the first to develop oil painting techniques that almost approached photographic realism, influencing Italian Renaissance artists and establishing oil as the premier medium for easel painting.

Due to its versatility in representing spatial depth, oil painting laid the foundations for a new tradition in Western art—one that remained dominant from the Renaissance period through modern times, fostering the development of countless art movements. Even today, figurative and abstract artists value oils for their ability to center the materiality of paint and pigment and for the degree of control and variation the medium's slow-drying process makes room for.

Many artists appreciate oil painting for its forgiving nature—wet paint can be blended, scraped away, or painted over, allowing artists to create depth and add texture through multiple layers of paint.

5. Chiaroscuro (Renaissance, perfected in Baroque 16th-17th centuries)

The chiaroscuro method employs dramatic contrasts between light and shadow to transform flat surfaces into three-dimensional compositions. This technique, which translates to "light-dark," was pioneered during the Renaissance, though Caravaggio (a later Baroque painter) arguably pushed this approach to its limit.

In his painting The Calling of Saint Matthew (c. 1599), light and shadow almost seem to take on an allegorical dimension, immersing the viewer in a metaphysical drama where the visual characteristics of clarity and darkness, illumination and obscurity, silently comment on the painting's religious theme.

Chiaroscuro has remained essential to the Western canon. It has also influenced visuals in movies and theater, from classic film noir to contemporary stage designs.

6. Sfumato (High Renaissance, perfected by Leonardo da Vinci, early 16th century)

Sfumato, Leonardo's signature approach, eliminates harsh outlines in favor of soft, atmospheric transitions that create mysterious, lifelike effects. This technique (Italian: "to evaporate," "to soften") was developed by Leonardo da Vinci in the early 1500s. Works like the Mona Lisa (c. 1503–1519) avoid strong contours in favor of atmospheric impressions. Subdued shadings around the figure's eyes and mouth mimic how light and atmosphere subtly affect perception, lending the figure her famously enigmatic expression.

Sfumato aligned with the Renaissance ideal of attaining harmony, depth, and emotional nuance. It enabled artists to depict more naturalistic, lifelike figures. Ultimately, the method introduced a more empirical approach that influenced High Renaissance ideals of beauty and harmony, subtly challenging the formalist precision of Early Renaissance art.

7. En Plein Air (Popularized 19th century, central to Impressionism)

En plein air painting requires working outdoors with portable equipment to capture the changing qualities of natural light and atmosphere directly from observation. The 19th century saw a rise in the popularity of this approach (French for "in open air"), thanks partly to the widespread accessibility of portable paint tubes and box easels.

This method was novel compared to older painting techniques but was also grounded in empirical science, as these tools made it easier for artists to leave their studios and paint what they observed in nature, particularly for landscape painting that captured real-life environments.

Impressionist artists, in particular, centered painting en plein air around what they couldn't adequately capture in a studio setting. By working outdoors, they could see how light, weather, and time of day altered how they viewed things, people, and events. This approach influenced 20th-century art's emphasis on process and experience, establishing that where and how a work is made can be as important as the finished product.

Artists found they could blend colors more naturally when working from direct observation, capturing the underlying colors and natural elements that studio lighting often obscured.

8. Impressionism (France, 1860s–1880s)

Impressionism relies on quick, gestural brushstrokes and vibrant colors that prioritize the artist's immediate perception over detailed representation. This movement radically changed the way French artists made and responded to art.

In the 1860s, the academies ruled the French art world, mainly catering to paintings with historical, religious, and mythological themes. Impressionism changed all this, challenging and expanding the definition of art.

Claude Monet is the most famous Impressionist, known for using bright, expressive colors and loose, gestural brushwork to capture subtle changes in mood and lighting in cityscapes and natural settings. Impressionism rejected academic ideals and foregrounded an artist's subjective experience—especially of light and color—above strict representational accuracy. Underscoring the immediacy of perception, it changed the face of art.

9. Impasto (Post-Impressionism, late 19th century, perfected by Van Gogh)

The impasto technique applies thick layers of paint to create textured surfaces that physically project from the canvas, emphasizing the material nature of the medium. This approach is not so much a painting medium as a specific method that allows artists to highlight the physical act of creation and the materiality of paint itself. A hallmark of expressive painting, these thick swathes—generally applied with a palette knife—are built up on a painting surface so that they jut out in relief.

Van Gogh's most famous paintings showcase Expressionist techniques, using textured layers of paint to communicate the emotional intensity and energy specific to his psychological frame of mind. He elevated impasto art to a richly expressive language, underscoring what only paint on canvas (rather than photography's realism) can achieve.

The technique allowed him to create texture that caught and reflected light in dynamic ways, making his paintings appear to vibrate with energy. Many artists followed Van Gogh's lead, using palette knife applications and thick paint to create vibrant surfaces that seemed to pulsate with life.

10. Alla Prima (Wet-on-Wet) (Popularized late 19th century with Impressionism)

Alla prima (Italian for "at first attempt") allows artists to complete paintings in single sessions while paint remains wet, enabling spontaneous color mixing and immediate expression. This painting style involves applying wet paint on top of already wet layers without letting anything dry. The method, often called "wet on wet," also enables artists to blend colors in a highly intuitive manner, creating smooth transitions and vibrant mixtures directly on the canvas.

Impressionists liked the directness of this method, which usually involved finishing a painting in one sitting. Monet and Renoir were two artists who used alla prima to work against conventional classical painting techniques that required many layerings and long drying times. They wanted to capture the fleeting effects of light and the constantly evolving atmosphere of everyday life.

This wet-on-wet technique later influenced the growth of gestural painting and Abstract Expressionism, as artists discovered they could achieve spontaneous effects impossible with traditional layering approaches.

11. Abstract Expressionism (Post-World War II America, 1940s–1950s)

Abstract Expressionism is both a painting style and a genre of art. As a painting style, it transforms large-scale canvases into vehicles for pure emotional and gestural expression without representational imagery.

In the traumatic wake of World War II, this movement ("AbEx" for short) made New York the center of the international art world. Artists like Jackson Pollock and Mark Rothko (among many artists) made works that focused almost entirely on gestural freedom and the materiality of paint and pigment, representing a radical departure from representational abstract art.

This style of abstract painting focuses on spontaneity and personal expression aligned with Cold War cultural ideals that valued individual freedom and democratic expression. More materially, the sheer size and ambition of many large-scale AbEx works redefined how galleries exhibited artworks, which helped solidify America's place in a growing international art market.

These different painting techniques within Abstract Expressionism—from Pollock's drip paintings to Rothko's luminous color fields—demonstrated that abstract art could convey profound emotional and spiritual content without relying on recognizable imagery.

12. Acrylic Painting Techniques (Mid-20th century, 1950s)

Acrylic painting utilizes synthetic polymer-based paints that offer versatility, quick drying times, and adhesion to virtually any surface. These paints were first sold in stores in the 1950s, and their synthetic base showcased a modern way of thinking linked with industrialization, experimentation, and the pursuit of novel ideas. The adhesive versatility also allowed artists to experiment with unique mixed-media formats at ever-increasing scales, all of which helped to thrust painting beyond its conventional limits.

Acrylic paint quickly became associated with the look and feel of modern consumerist culture. It could adhere to any painting surface, from tree bark to cotton bedsheets. Andy Warhol and David Hockney (among other pop art artists) were drawn to acrylic painting techniques because they could produce flat, even fields of color resembling commercial printing methods.

These qualities fit in well with Pop Art's interest in mass culture. These artists would also make acrylic paint resemble more conventional mediums like watercolors or oils by thinning it out with water or thickening it.

Acrylic paints are more resistant to cracking and yellowing with age than oil paints. They also dry quickly and have a lower toxicity level than oils, making them practical alternatives for many studio settings. From photorealism to Abstract Expressionism, acrylic's versatility and range of available textures have helped make it a key material in both modern and contemporary art. Artists appreciated how they could blend colors seamlessly while wet, then paint onto the dry surface without disturbing underlying layers.

13. Digital/Mixed Media Techniques (Late 20th century to present, 1980s–today)

Digital and mixed media techniques combine traditional painting techniques with contemporary technologies to create hybrid works that transcend conventional artistic boundaries. These approaches function like a Swiss Army knife, often incorporating a range of materials and legitimately encompassing various media. Just as the Internet integrates radio, television, word processing, travel bookings, and innumerable other functions, digital mixed-media works frequently reflect the obsolete technologies many of us grew up with but no longer use.

Using digital tools alongside traditional painting methods has led to hybrid creations where artists use physical paint and computer-oriented techniques like projection mapping, computer-generated imagery, and digital manipulation.

Contemporary artists use tablets, styluses, and software to make art that blurs the lines between painting, photography, and digital art. They're exploring new methods of mark-making and incorporating gradations of nuanced color patterns, which would not have been possible during the reign of more traditional media.

These novel techniques have expanded the horizons of creating art. Dethroning traditional aesthetic categories has led to an increasingly democratic engagement with hybrid media, including "digital painting" and "augmented reality art." These mixed-media forms, often mirroring living entities, are perpetually geared to evolve as technology advances, making them perfect choices for corporate artwork in numerous industries.

Understanding Essential Painting Techniques Across Different Art Movements

While each historical period developed its own distinctive painting techniques, certain fundamental painting skills transcend individual movements. Understanding color theory, for instance, remains crucial whether you're working in Renaissance tempera or contemporary acrylics. The ability to create patterns, manipulate light and shadow, and develop dynamic compositions connects artists across centuries.

Many artists today combine techniques from different eras, drawing inspiration from classical methods while incorporating modern materials and approaches. This synthetic approach allows contemporary practitioners to create vibrant works that honor tradition while pushing boundaries. The key is understanding how different painting techniques serve specific expressive goals of visual art rather than viewing them as rigid historical categories.